For some years, David S. Wills has made Beatdom an essential resource and outlet for the varied participants of Beat arts and literature, along with the subsequent generations who’ve taken inspiration from them. Though names like Kerouac and Ginsberg catch readers’ attention, there remains a wealth of experience to be shared. An interview with writer and activist Amiri Baraka from 2013 is an excellent example.
My extensive essay “Harold Norse– the Bastard Angel of Brooklyn” has just been posted to Beatdom. You can read it here. As the current print edition of Beatdom focuses on politics, my piece takes a look at the ways in which Harold’s connection to gay liberation and environmental destruction were expressed in his work.
Unlike his contemporary Allen Ginsberg, Harold was more observer than participant in social movements. Though he was politically enlightened, the distance created by his outsider status as an illegitimate child and queer imbued his work with a voice both empathetic and prescient.
One of the reasons Norse’s work connects with today’s new generation of poetry lovers is the prescient nature of his voice – its observations of gay liberation and environmental destruction. These topics are echoed in his critiques of racism, war, and animal abuse. For Harold, the sexual drive is connected to our animalistic origins, its expression growing from childhood, before repression by religious brainwashing. His poetry demonstrates this universal truth through his rich knowledge of history and literature; he reflected contemporary culture as changing little from the impulses of Classical Greece and Rome.
In addition to posting online essays, Beatdom publishes an annual literary journal as well as operating its own press. Some of the titles include Wills’ Scientologist! William S. Burroughs and the ‘Weird Cult’ which takes a look at Burroughs’ involvement in the controversial movement and the ways it affected his writing.
Burroughs’ interest in Scientology coincided with his exploration of Cut Up writing, which viewed language as a virus of control, and directly influenced his novels The Soft Machine and The Wild Boys. More than a passing interest, this key period in Burroughs literary development has, until now, been ignored by the majority of Burroughs scholarship.
Another Beatdom book worth reading is Marc Olmsted’s Don’t Hesitate: Knowing Allen Ginsberg. Olmsted was first fan, then lover and then a student of Allen’s and this collection of letters and his memoir is a much welcomed addition to better understanding the influence Ginsberg’s had on the generation of writers and artists who followed the Beats.
The book inclusion of photographs and copies of correspondence give the collection the feel of mimeograph press where many Beat writers were published in the 1960s. Harold Norse also makes an appearance in Marc’s story. In the coming months, I’ll post a more thorough review of the book, but for now I strongly recommend Don’t Hesitate to those interested in expanding their knowledge of Ginsberg’s biography.
In the meantime, you can take a look at my report back from last summer’s Beat Conference in San Francisco where Marc presented a talk about Ginsberg and other Beat writers who influenced him including William Burroughs and Charles Plymell.
Beatdom has also added an announcement about the Harold Norse Centennial events coming up this summer, along with a plug for the Norse book sale fundraiser, now in its final days. Look forward to more Norse material at Beatdom in the coming future.